i need help...

Question
QUESTION: hello sir my name is Bryan,Sir sorry about first question Don't answer it, was a mistake from my little brother.i am trying to come up with some names for some of the moves i do and am having trouble, thought maybe you could help, let me tell you little about my gimmick, i am 6'3" and 237 pounds. i run a bad, serious,tough, and the fiercest competitor,a dangerous man gimmick..like an aggressive deadly snake. simply a man from the dark side. my entrance attire is black wrestling trunk and black wristbands, along with black knee pads and large black wrestling boots.i have short hairs.
here are my moves
move 1. One Arm Side Slam

move 2. Implant DDT

move 3. Running punt to an opponent's head

move 4. Elevated jumping cutter (Finisher no.1)

move 5. Forward Russian legsweep (Finisher no.2)

and a Submission Hold . Inverted figure four ankle lock

i need a ring name (not using my real name.)which suits my gimmick.Please answer this question.
thanks for the help.

ANSWER: Hello Bryan,

If you need more suggestions, ask. It would especially help if you point out any that are closer to what you want.

Move 1. One Arm Side Slam
Merciless Grasp
Unbreakable Hold
Ironclad Grip

Move 2. Implant DDT
Killswitch DDT
Dangerous/Deadly Implant
Crashing Impact

Move 3. Running punt to an opponent's head
Deep Impact
Utter Destruction
Vicious Concussion

Move 4. Elevated jumping cutter (Finisher No.1)
Fatal/Deadly/ Sting
Sinister/Vicious Strike
Shutdown
Imminent Injury/Destruction

Move 5. Forward Russian legsweep (Finisher No.2)
Impending Doom
Death抯 Descent
Falling Darkness

Move 6. Inverted figure four ankle lock
The Constriction
Crisis Choke
Serpent抯 Snare
Malicious Manipulation

Mix up the nicknames with character names if you like say, the first name of one suggestion but not the second name.

Nicknames:
揟he Deadly Danger?br> 揗enacing?br> 揇ark Menace?br> 揟he Viper?br> 揤icious
揟he Dark/Menacing/Vicious/Deadly Viper?br>
Character Names:
Ace Austin
Drake Bernard
Drake/Edgar Duncan
Hugh Howard
Dave Crusher



---------- FOLLOW-UP ----------

QUESTION: Hello Sir.i am Bryan,You answered my question so thank you very much.
My trainer told me two new moves for the same gimmick,i am trying to come up with some names for these moves,thought maybe you could help,

Move 1: Fireman's carry Cutter.(TKO)

Move 2: Sit-out Elevated Power bomb.

i need a theme song (like Drew mcintyre's or Ortan's theme song.but still its all up to you)a song which can suit with my gimmick very well.
thanks for the help.

Answer
Hello again Bryan,

Move 1: Fireman's carry Cutter.(TKO)
Violent Viper
Doomsday Cutter

Move 2: Sit-out Elevated Power bomb.
Downfall
Dangerzone
Crash/Crasing Man Buster

You could also use any of the ones presented in the other answer if they fit.

Scroll to the bottom if you just want to get to the suggstions first. In between is about legal requirements and what you might be legally required to do depending on what you select.

Music is a little complicated, due to copyright law. In a pro wrestling, theme music may be licensed music, from a production library, in the public domain, made by in-house composers/musicians, or commissioned/gifted from musicians/composers, often from those within the area, who permit use of the music.

Most of the music we hear on the radio (outside of ads) would be licensed music. When you buy a CD, you are allowed to do various things, but part of the agreement formed upon purchase is that there are certain things that cannot be done. To help explain, here is an excerpt from HowStuffWorks about music licensing:

In the case of a "real song", like something you would hear on a top-40 radio play-list, there are several different parties involved with the song:

   The label owns the actual sound recording -- the performance of the song as recorded in the label's studio.
   
   The publisher works on behalf of the song's composer (the person who arranged the music) and songwriter (the person who wrote the lyrics). The composer and songwriter probably own the actual copyrights for the song, and the publisher represents them in all business dealings.
   
If you want to use a song for any reason, you have to somehow obtain rights at least from the publisher, and possibly from the label as well (if you are planning to use a specific performance).

Here are just a few examples of when you need to obtain rights:

   You own a radio station and you want to play a song on your station.
   You own a restaurant and you want to play songs as background music.
   You are making a commercial and you want to use a song in the commercial.
   You are making a toy and you want it to play a song when a child pushes a button.
   You are making a video production and you want a song as background music.

As you can see, with licensed music, you need to obtain the rights to use that music as a theme. This is in part because it is for a commercial use and in part because the theme is to be broadcast publicly for those in attendance. You would need to pay to obtain public performance rights, either through a blanket license- you can play anything you want, or for a specific song.  

How much you pay depends on what category the establishment falls under in a form. That paperwork means that unless you really want a song, it may not be worth it- especially given that if you work for multiple promotions that further complicates matters. I don抰 know exactly how that would work.

The cost varies, but is often not greatly above the cost for production libraries- where you buy the rights to use the music for a relatively small fee. Production libraries specialise in creating music for others to use. The main disadvantage is that you won抰 find big hits and it can be difficult to find good vocals, but there are some excellent compositions out there, including some with vocals.

Another advantage is that with licensed music, if the wrestling show is taped, you have problems. There are additional licenses you need: a master use license and a synchronisation license. Numerous independent promotions are televised locally or broadcast online.  The cost becomes quite expensive- the more important and popular a song, the more costly.

Licensed music may not be for you if you work in promotions that do televise their material or, possibly, if you work in heaps of promotions. There likely are, at least, a fair number of people who disobey copyright law and use whatever they want, but I cannot advise you to break the law. My position on AllExperts prohibits it.

Public domain music is free, but what is in the public domain won抰 fit your character.  You are unlikely to get a band to create a song just for you or let you use a song for free or a small fee, unless you know them.  You don抰 have in-house composers/musicians available to you.

Songs like Drew McIntyre抯 and Randy Orton抯 are more like that of licensed music than production libraries. If you looking at licensed music, then I would recommend looking at Slipknot, Hate My Life by Theory of a Deadman, You抮e Going Down by Sick Puppies, or Chevelle. You might also look at Skillet.

I think Chevelle in particular might be a very good fit, but it depends on your tastes (you need to be comfortable with whatever you use) and how you play the character, which you would know about more than I can.

If you have to use production themes, the best that I抳e found  from my look (which considered teh sheer number out there only skims teh surface)would be Burning Fire (Vox) under Vocal Cutz 2, on ExtremeMusic.com. Keyword Vocal Cutz makes it easy to find.  

I'll finish that other question of yours when I can.